Beyoncé Wins Favorite Female Country Artist and Country Album at the 2025 AMAs and Country Just Took a Loss
Beyoncé didn’t perform, show up, or say a damn thing, yet she still took home both of country’s biggest honors at the AMAs. That ain’t a win. That’s a warning.
At the 2025 American Music Awards, Beyoncé won Favorite Female Country Artist and Favorite Country Album for Cowboy Carter. That’s two-for-two in a genre she barely stepped into and didn’t bother showing up to represent. No stage time. No speech. No “thank you” to country radio. Just a clean sweep while actual country artists sat quietly in the shadows.
Let’s talk about who she beat.
In the Female Country Artist category, Beyoncé walked over Lainey Wilson, Kacey Musgraves, Megan Moroney, and Ella Langley—four women who’ve been living the life, touring nonstop, showing up to country awards shows, and carrying the genre through every dusty bar, rodeo stage, and sold-out arena this past year.
In the album category, Cowboy Carter took the trophy over Jelly Roll’s Beautifully Broken, Post Malone’s country experiment, Shaboozey’s breakthrough, and Megan Moroney’s Am I Okay? These artists poured into the scene, took chances, and built momentum from the ground up. Beyoncé dropped in, made her statement, and bounced.
This isn’t about whether Beyoncé’s Cowboy Carter is a good record. It’s about what it represents. Country music isn’t just a sound. It’s a culture. It’s a grind. It’s earned. Beyoncé’s album nodded at that world but didn’t live in it. And yet here she is, crowned by a fan-voted show built on reach, not roots.
You can’t claim the heart of country when you don’t even show up with boots on.
RELATED: The Truth Behind Beyoncé’s Country Grammy Win
Meanwhile, artists like Lainey Wilson are out there proving it night after night, and Jelly Roll is building something with scars, soul, and no shortcuts. They lost to someone who never even touched the stage.
So yeah, Beyoncé took two country awards at the AMAs.
And country just stood there and let it happen.
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